With two prior albums (both reaching #2 on the country charts), four EPs and two #1 singles (plus having wrote Billy Currington's #1 Hit "Good Directions) under his belt, it is safe to say that Luke Bryan has moved beyond "Rising Star" and into "Established" in the country realm. His laid back attitude, coupled with a mix of love ballads and party anthems have earned him a place in the spotlight.
His third full-length album, "Tailgates & Tanlines" has already produced a hit single which currently sits at #4 on the charts.
Country Girl (Shake It For Me) - Luke kicks off the album with the aforementioned single, and it is already a hit in the bars and on the radio. The party anthem tells of Luke's anxiousness to watch his girl put on a show for him, shaking what she has for everyone, but most importantly, for him: "Shake it for the young bucks sittin' in the honky tonks/ For the rednecks rockin' 'till the break of dawn/ The DJ spinnin' that country song/ Come on, come on, come on/ Shake it for the birds, shake it for the bees/ Shake it for the catfish swimmin' down deep in the creek/ For the crickets and the critters and the squirrels/ shake it for the moon/ shake it for me girl/ Country girl shake it for me, girl". The song is definitely catchy and easy to sing along to, and likely will be a #1 here shortly. Enjoy the music video:
Kiss Tomorrow Goodbye - Much like Chris Young's "Tomorrow", Luke is knowingly at the end of the relationship, but is ready for one more night before it is over. Admittedly, the only thing they do right is make love, and that is exactly how they are going to say goodbye: "Take off your leavin' dress/ Let's do what we do best/ I guess everybody's got their way of movin' on/ Girl rest your head one more night in my bed/ Love me like you loved me when you loved me/ and you didn't have to try/ Let's lay down tonight/ and kiss tomorrow goodbye". The song is a much faster, more upbeat song than "Tomorrow" and fits well as a combination of Luke's styles.
Drunk On You - A song that could easily be what is song later in the night from "Country Girl", "Drunk On You" is a summer love ballad that will likely be a single come next April/May. It tells of a party out in the woods, with trucks, crown, and most importantly, a beautiful woman, and Luke is enjoying every minute of all of it, describing himself as "A little drunk on you/ And high on summertime". It is a great bonfire song along the lines of Brantley Gilbert's "My Kinda Party".
Too Damn Young - One of the things this album does really well is start to paint a story. This song follows "Drunk On You" perfectly, as the sun comes up over a dock where Luke and his girl spent the night. Bryan reminisces on the night, realizing that he had been foolish to believe his feelings of the night: "Every time my feet are dangling in the water/ I can't help but think about her lying there, with her wet hair" he sings, later finishing the chorus with "She kissed me like she meant forever/ We were too damn young to know any better"
I Don't Want This Night To End - Once again, a beautiful woman is the object of Luke's attention, this time singing about the girl riding shotgun as they cruise through the town and the country throughout the night, wanting to prolong it as much as possible. "You got your hands up/ You're rockin' in my truck/ You got the radio on/ You're singing every song/ ... / Girl, all I know is I don't want this night to end". The song is reminiscent of Brantley Gilbert's "Back In The Day" and would probably go well in the mix. The guitar near the end is fantastic and is easy to learn and sing along to.
You Don't Know Jack - Country has always been known for teaching lessons, and this song is no exception, starting out with a man begging for a dollar, whom Luke promptly turns down. Before long, the man is explaining that he is right for thinking that he is going to use it to buy alcohol, but "You don't know Jack/ Double shot, eighty proof, on the rocks/ Until you've lost it all/ And you can't go back/ To your life, and your kids, and your ex-wife/ With just a telephone call/ If you think it's just a bottle/ In an old brown paper sack/ You don't know Jack".
Harvest Time - Honestly, my least favorite Luke Bryan songs are the ones like this. I guess because I did not grow up on a farm, I cannot relate. Regardless, it is Autumn, time for football, but more importantly, it is time for the tractors to line up, get fueled up, and begin harvesting the crops. For me, this is one of the forgettable tracks, as nothing really stands out.
I Know You're Gonna Be There - Luke is out for revenge against the girl who broke his heart. He knows that she is going to be at the bar he is going to, so he is looking to make her jealous. He puts on a new shirt, shines up his boots and brings a girl he is going to kiss when he knows she is looking. Everybody has been there, but, if they are honest with themselves, they admit what Luke does at the end "I'm gonna put on my new shirt/ Shine up these old boots/ Truth is when I see ya/ I don't know what I'll do". The song is very relatable, even if it does not impress musically.
Muckalee Creek Water - Bryan has returned home, and when he does, he gets immersed in it, both literally and figuratively. The instant he dips his feet in the creek where he grew up, "Let the stock market do what it's gonna do/ Let the dollar go down and gas soar through the roof". He does not care, he is able to be himself here. The southern rock tone makes for a good recovery from the last two tracks.
Tailgate Blues - Slowing it down again, the song sounds like it draws musical inspiration from Travis Tritt's "Great Day To Be Alive", but with the opposite attitude. Luke's woman has left him. Instead of doing what most country stars do and running to a bar, he retreats to the woods and the bed of his truck instead. I relate to this method more, preferring to be alone to reminisce than to drown the sorrows, so I actually like this song, and enjoy the twist on the "My baby left me..." genre of country.
Been There, Done That - Sounds like Luke has learned his lesson after his ordeal in "Do I" on his previous album. Realizing that there is nothing left, and that she has manipulated him into the man she wants him to be instead of the man he really is, the singer realizes he is done and is moving on: "Cause I ain't, I ain't comin' back/ I've already been there, done that/ And I'm done with you messin' with my mind/ The last time was the last time baby". Luke has a unique way of staying upbeat in the normally down in the dumps songs that is refreshing.
Faded Away - Luke spends a lot of time reminiscing on past loves on this album, and this song continues that theme. As such, this song fades into the background, much like the girl in the song does.
I Knew You That Way - Closing out the album with another slow song about past love, Bryan at least uses vivid imagery to paint a beautiful picture of it. It is rather disappointing that he did not at least try to end the album with a high note like he started it.
Overall, "Tailgates & Tanlines" is not an impressive album. It suffers in a number of places. Several of the songs feel repetitive, and all of the songs feel slow after the opening "Country Girl". I kept waiting for the pace to pick back up, as it did on his previous album, "Doin' My Thing", but ended up disappointed. The beginning of the album made me wish that it had been released earlier in the year for two reasons: 1. They felt more "summer-ish" which did not fit with a mid-summer release, and 2. It is going to be overshadowed by some of the stronger albums released already (Blake Shelton, Eric Church, Justin Moore). On the positive side, the flow from one song to the next felt more natural than most albums. Also, as I pointed out, many of the songs felt like they were telling a story. Luke does a great job of expressing his feelings, but after rocking the opening track, the rest of the album left me wanting more. 6/10
Wednesday, August 10, 2011
Sunday, August 7, 2011
Album Review: Brad Paisley - This Is Country Music
I am going to be honest, I typically do not like Brad Paisley. I admit, he is a phenomenal guitar player, and puts on a great live show, but his music lately (Namely "American Saturday Night", "Play" and parts of "5th Gear") often lacked an authentic country feel, and yes, this is coming from someone who likes Colt Ford. Paisley's music often feels too "Poppy" to be country music, much like Taylor Swift (though her music at least comes from the heart).
All of that said, I was extremely excited for this album. After hearing the first two singles, incidentally the first two songs on the album, it appeared that Paisley had finally returned to country music. Unfortunately, I am just getting to reviewing it, even though it has been out since May.
This is Country Music - The title track of the album, as well as the first single, really sets the tone for the rest of the album. Paisley begins talking about all of the things the music is not supposed to be or do, but this genre does. "You're not supposed to say the word 'cancer' in a song/ and telling folks that Jesus is the answer
can rub 'em wrong/ It ain't hip to sing about/ Tractors, trucks, little towns or mama/ But this is country music/ and we do". The song does a good job at providing a snapshot of what the genre is, even ending with the naming of several country songs that every fan of the genre should know. It also highlights Brad's superior guitar skills several times.
Old Alabama - If "This Is Country Music" piqued my interest in Paisley again, "Old Alabama" hooked it. Paisley sings about his girl, and how she is not sophisticated at all: "She'd rather wear a pair of cutoff jeans/ Than a fancy evening dress/ and with her windows rolled down/ her hair blowin' all around/ she's a hot southern mess/ She'll take a beer over white wine/ And campfire over candlelight/ and when it comes to love/ her idea of/ a romantic night/ Is listening to old Alabama". Paisley even goes so far as to bring the subject of the band, Alabama, in to perform on the song and throws several licks from some of their hits in. Overall, the song is fantastic, and the guest appearance only enhances it further. Enjoy the video, which guest stars NASCAR driver Jeff Gordon:
A Man Don't Have To Die - Interestingly, this might be my favorite song on the album. It feels the most genuine in the hard economy. The song starts out in a church, where the congregation is tiring of the "Hellfire and Brimstone" sermons, they already know what hell is: "It's six months short of thirty years/ When the boss man lays you off/ No thankin' you/ No pair of shoes/ No shiny new gold watch/ It's payments that you can't make/ on a house that you can't sell/ See a man don't have to die to go to hell". All the congregation is asking for is for the preacher to inspire hope, not fear. It is something that I am sure everyone can relate to, and that is what makes this song feel like real country.
Camoflauge - Paisley shows that he is still not afraid to have fun, and he does so with several songs on the album, starting here. It is an ode to Paisley's favorite "Color". Comedian Larry the Cable Guy even pipes in with a couple of "Git R Done"s. At the end, Paisley turns slight political: "Well the Stars and Bars offend some folks/ And I guess I see why/ But nowadays there's still a way/ To show your Southern Pride/ The only thing as patriotic as the old Red, White and Blue/ Is Green and Gray and Black and Brown and Tan all over too".
Remind Me - After hosting several CMA awards with Brad, Carrie Underwood joins him for the romantic "Remind Me", the third single from the album. The couple has drifted apart and are trying to rekindle the love they had. Underwood does a great job, even able to overshadow Brad and his guitar, but the two work well together, and the track is quickly climbing the charts for good reason.
Workin On A Tan - This is one of the songs that demonstrates what I do not like about Paisley, it feels out of place, especially sandwiched between the two songs it is. It felt like it was placed here simply to
show off the guitar-playing ability of the lead singer. The song talks about a girl on spring break, putting all of her priorities aside to go to the beach and get a bronze look. Nothing about this song fits in well with the album, except maybe if it had been placed after "Camoflauge".
Love Her Like She's Leaving - Similar to "Waitin' On A Woman", Paisley is getting marriage advice from someone who has been there, this time at his wedding reception. The advice is solid: "Love her like she's leaving/ Like it's all gonna end, if you don't/ Love her like she's leaving/ And I guarantee she won't" The song is a great love ballad and I can see it being a future single from the album.
One Of Those Lives - Who has not had a bad day? How often do we stop and think that, while things have not been too hot lately, there are many people in our lives who have it so much worse. This song points that out, talking about a phone call from his wife on a bad day, telling him that their friends have been told their son's cancer is back: "Man it's been one of those days/ Where I've been thinkin' 'Poor Me'/ I've got no right to complain I guess/ 'Cause right now all I can see/ Is a little angel in a Yankees cap/ It makes me realize/ It's just been one of those days for me/ but for him it's been one of those lives". Paisley shows genuine gratitude
for the positives in his life in light of this news, and it serves as a great reminder for what we can do in our own lives.
Toothbrush - The little things grow into big things, and Paisley tells us of this in a slightly goofy, but fun song. "Love starts with a toothbrush" he tells us. Before long, that has become getting hitched, getting a house, getting pregnant and eventually raising a son. The chorus tells us "Anything that's anything/ Starts out as a little thing/ Just needs a little time to grow"
Be The Lake - Another fun song, Paisley is watching his girl dry off on the shore. He thinks he has it made, but realizes that he cannot possibly get close enough. "Wish I could be the beach towel that you lay down on/
Or that two piece fitting you so right it's wrong/ or the sunshine kissin on your skin/ Wish I could be the lake that you're swimmin in". The song does not stand out, but like so many of his songs, Paisley has created a song that is fun to drive to.
Eastwood - Clint Eastwood lends a brief spoken word ("You want western? I'll give you western"), and I believe some guitar, to this otherwise entirely instrumental track that sounds like something you might find in a John Wayne (or, obviously, Clint Eastwood) montage. The song is obviously made to show off Paisley's guitar-picking ability, and it does so very well.
New Favorite Memory - The other complaint I would have against Paisley is that too many of his songs feels like HE has done them before. In this case, it sounds like a rehash of "Little Moments". The song is nice,
but does not stand out against a slew of other great songs, though it feels more heartfelt than typical Paisley.
Don't Drink The Water - The only person who likes to have more fun with his music than Paisley is fellow Country Star Blake Shelton, who joins Brad on this track. Brad is down in the dumps after his woman leaves, but is headed to Mexico to wash the memories away. Everyone, including Mexico veteran Shelton, has the same advice, but Brad is not worried: "Don't drink the water/ I told him 'That's Okay'/ I ain't goin' down/ to Mexico/ To drink the water anyway". As you would expect, the track is a lot of fun and humorous. Blake and Brad work well together and we may even see this as a single in the future.
I Do Now - The fun of Mexico must have worn off, because he misses the woman who has left. There is a lot in life that Brad did not understand before, like drinking their problems away in a bar in the middle of the day, but he does now. He would give anything to go back to the wedding day "Lift the veil and look you in the eye/ and say 'I do now'". Paisley has realized everything he did wrong, and just wishes he could take it back. Once again, the genuineness missing from so many of his songs is there and you cannot help but feel sorry for him, even though he makes it clear that he made the mistakes that led him to this point.
Life's Railway To Heaven - Paisley adds a gospel-like feel to the final song on the track, comparing life to a train going through bumps, hills and valleys on it's way to heaven. At the end of a long album, this track is rather forgettable because it does not fit in much with any of Brad's music (Except for "When I Get Where I'm Going" from Brad's "Time Well Wasted" album). This does not mean that the song is bad, just not memorable like so many of Paisley's songs.
Overall, I was impressed with "This Is Country Music" and felt that the title track spelled it out correctly. For the first time in several years, it feels like Paisley has made something that can genuinely be called country without sacrificing anything from his style or his guitar ability. While the album has been out for a couple months now, if you have not picked it up yet, it is worth spending money on. 8/10
All of that said, I was extremely excited for this album. After hearing the first two singles, incidentally the first two songs on the album, it appeared that Paisley had finally returned to country music. Unfortunately, I am just getting to reviewing it, even though it has been out since May.
This is Country Music - The title track of the album, as well as the first single, really sets the tone for the rest of the album. Paisley begins talking about all of the things the music is not supposed to be or do, but this genre does. "You're not supposed to say the word 'cancer' in a song/ and telling folks that Jesus is the answer
can rub 'em wrong/ It ain't hip to sing about/ Tractors, trucks, little towns or mama/ But this is country music/ and we do". The song does a good job at providing a snapshot of what the genre is, even ending with the naming of several country songs that every fan of the genre should know. It also highlights Brad's superior guitar skills several times.
Old Alabama - If "This Is Country Music" piqued my interest in Paisley again, "Old Alabama" hooked it. Paisley sings about his girl, and how she is not sophisticated at all: "She'd rather wear a pair of cutoff jeans/ Than a fancy evening dress/ and with her windows rolled down/ her hair blowin' all around/ she's a hot southern mess/ She'll take a beer over white wine/ And campfire over candlelight/ and when it comes to love/ her idea of/ a romantic night/ Is listening to old Alabama". Paisley even goes so far as to bring the subject of the band, Alabama, in to perform on the song and throws several licks from some of their hits in. Overall, the song is fantastic, and the guest appearance only enhances it further. Enjoy the video, which guest stars NASCAR driver Jeff Gordon:
A Man Don't Have To Die - Interestingly, this might be my favorite song on the album. It feels the most genuine in the hard economy. The song starts out in a church, where the congregation is tiring of the "Hellfire and Brimstone" sermons, they already know what hell is: "It's six months short of thirty years/ When the boss man lays you off/ No thankin' you/ No pair of shoes/ No shiny new gold watch/ It's payments that you can't make/ on a house that you can't sell/ See a man don't have to die to go to hell". All the congregation is asking for is for the preacher to inspire hope, not fear. It is something that I am sure everyone can relate to, and that is what makes this song feel like real country.
Camoflauge - Paisley shows that he is still not afraid to have fun, and he does so with several songs on the album, starting here. It is an ode to Paisley's favorite "Color". Comedian Larry the Cable Guy even pipes in with a couple of "Git R Done"s. At the end, Paisley turns slight political: "Well the Stars and Bars offend some folks/ And I guess I see why/ But nowadays there's still a way/ To show your Southern Pride/ The only thing as patriotic as the old Red, White and Blue/ Is Green and Gray and Black and Brown and Tan all over too".
Remind Me - After hosting several CMA awards with Brad, Carrie Underwood joins him for the romantic "Remind Me", the third single from the album. The couple has drifted apart and are trying to rekindle the love they had. Underwood does a great job, even able to overshadow Brad and his guitar, but the two work well together, and the track is quickly climbing the charts for good reason.
Workin On A Tan - This is one of the songs that demonstrates what I do not like about Paisley, it feels out of place, especially sandwiched between the two songs it is. It felt like it was placed here simply to
show off the guitar-playing ability of the lead singer. The song talks about a girl on spring break, putting all of her priorities aside to go to the beach and get a bronze look. Nothing about this song fits in well with the album, except maybe if it had been placed after "Camoflauge".
Love Her Like She's Leaving - Similar to "Waitin' On A Woman", Paisley is getting marriage advice from someone who has been there, this time at his wedding reception. The advice is solid: "Love her like she's leaving/ Like it's all gonna end, if you don't/ Love her like she's leaving/ And I guarantee she won't" The song is a great love ballad and I can see it being a future single from the album.
One Of Those Lives - Who has not had a bad day? How often do we stop and think that, while things have not been too hot lately, there are many people in our lives who have it so much worse. This song points that out, talking about a phone call from his wife on a bad day, telling him that their friends have been told their son's cancer is back: "Man it's been one of those days/ Where I've been thinkin' 'Poor Me'/ I've got no right to complain I guess/ 'Cause right now all I can see/ Is a little angel in a Yankees cap/ It makes me realize/ It's just been one of those days for me/ but for him it's been one of those lives". Paisley shows genuine gratitude
for the positives in his life in light of this news, and it serves as a great reminder for what we can do in our own lives.
Toothbrush - The little things grow into big things, and Paisley tells us of this in a slightly goofy, but fun song. "Love starts with a toothbrush" he tells us. Before long, that has become getting hitched, getting a house, getting pregnant and eventually raising a son. The chorus tells us "Anything that's anything/ Starts out as a little thing/ Just needs a little time to grow"
Be The Lake - Another fun song, Paisley is watching his girl dry off on the shore. He thinks he has it made, but realizes that he cannot possibly get close enough. "Wish I could be the beach towel that you lay down on/
Or that two piece fitting you so right it's wrong/ or the sunshine kissin on your skin/ Wish I could be the lake that you're swimmin in". The song does not stand out, but like so many of his songs, Paisley has created a song that is fun to drive to.
Eastwood - Clint Eastwood lends a brief spoken word ("You want western? I'll give you western"), and I believe some guitar, to this otherwise entirely instrumental track that sounds like something you might find in a John Wayne (or, obviously, Clint Eastwood) montage. The song is obviously made to show off Paisley's guitar-picking ability, and it does so very well.
New Favorite Memory - The other complaint I would have against Paisley is that too many of his songs feels like HE has done them before. In this case, it sounds like a rehash of "Little Moments". The song is nice,
but does not stand out against a slew of other great songs, though it feels more heartfelt than typical Paisley.
Don't Drink The Water - The only person who likes to have more fun with his music than Paisley is fellow Country Star Blake Shelton, who joins Brad on this track. Brad is down in the dumps after his woman leaves, but is headed to Mexico to wash the memories away. Everyone, including Mexico veteran Shelton, has the same advice, but Brad is not worried: "Don't drink the water/ I told him 'That's Okay'/ I ain't goin' down/ to Mexico/ To drink the water anyway". As you would expect, the track is a lot of fun and humorous. Blake and Brad work well together and we may even see this as a single in the future.
I Do Now - The fun of Mexico must have worn off, because he misses the woman who has left. There is a lot in life that Brad did not understand before, like drinking their problems away in a bar in the middle of the day, but he does now. He would give anything to go back to the wedding day "Lift the veil and look you in the eye/ and say 'I do now'". Paisley has realized everything he did wrong, and just wishes he could take it back. Once again, the genuineness missing from so many of his songs is there and you cannot help but feel sorry for him, even though he makes it clear that he made the mistakes that led him to this point.
Life's Railway To Heaven - Paisley adds a gospel-like feel to the final song on the track, comparing life to a train going through bumps, hills and valleys on it's way to heaven. At the end of a long album, this track is rather forgettable because it does not fit in much with any of Brad's music (Except for "When I Get Where I'm Going" from Brad's "Time Well Wasted" album). This does not mean that the song is bad, just not memorable like so many of Paisley's songs.
Overall, I was impressed with "This Is Country Music" and felt that the title track spelled it out correctly. For the first time in several years, it feels like Paisley has made something that can genuinely be called country without sacrificing anything from his style or his guitar ability. While the album has been out for a couple months now, if you have not picked it up yet, it is worth spending money on. 8/10
Wednesday, August 3, 2011
Album Review: Trace Adkins - Proud To Be Here
Four-time Grammy nominated singer Trace Adkins has found a system that works. Take what is probably the most recognizable voice in music, throw in some fun songs, some love songs,some about his family, and some patriotic songs and you have a recipe for a successful album. "Proud To Be Here", Trace's tenth effort (not counting three greatest hits compilations) is no different, but that does not mean that his music is stale. Adkins has always found ways to make fresh music, no matter what.
Proud To Be Here - Adkins leads off with the title track, a genuine, heartfelt track saying how grateful he is that he is still alive. Having read his autobiography, I understand how lucky he is when he sings "I'm just proud to be/ On the right side of the dirt/ I've been loved/ and I've been hurt", later adding "I've been living on borrowed time for years". Adkins, among other things, took a shotgun blast from point blank in the chest from his wife and lived, so he truly is "Proud to be here". The song will resonate with anyone who can look back on their life and see how many times things could have gone differently.
Million Dollar View - As mentioned, one of the things that Trace is known for is his songs about the love he has for his family. This track is the first of such songs. It comes off as a bit of a re-hash of Lonestar's "Outside Looking In" as Trace sings about how of all the beautiful views he could see in the world, the one in his house is the most valuable.
Days Like This - It is a beautiful day, both weather-wise and mentally, and Trace is determined to let nothing ruin it. "So don't bring me a paper/ don't turn on the news/ If it'ill fire me up/ Keep it away from my view/ If the world's gone to hell/ Let it go, I'll blow it a kiss/ Don't want to think about things like that/ On days like this". Given the state of affairs in the world, one can hardly fault him for tuning it out for a day.
That's What You Get - Adkins has a lot to offer a woman, and he goes about explaining it in this upbeat love song, stopping for flowers and other gifts before adding: "That's what you get/ For loving me/ Two strong arms and a heart that won't stop for anything/ The kind of man a woman needs".
Just Fishin' - Another song about his love for his family, Trace's first single from the album about the story behind the scenes as he takes his daughter fishing, spending time and connecting with her: "She ain't even thinking about/ What's really going on right now/ But I guarantee this memories a big'un/ And she thinks we're just fishin'". The song is beautifully written and the video stars his actual daughter, check it out below:
It's A Woman Thang - In what may be one of the most catchy, but controversial songs (it comes off a bit sexist), Trace sets out to explain that guys should just stop trying to understand things their ladies do, but half way through, he thinks about trying: "Maybe I should watch some Oprah/ Bubble bath, sit on the sofa/ Maybe take a 'Cosmo' quiz or two/ Maybe all I need's a hug from/ Fred or Bubba, or 'Big Dubya'/ Maybe I'll come to see your point of view/ NAH, IT'S A WOMAN THANG!". Trace has the reputation of this sort of song dating back to "Honky Tonk Badonkadonk" that allows him to get away with this sort of song, but not many other artists could have.
Love Buzz - Adkins is acting strange, and people begin to suspect him of hitting the bottle a little hard. To the contrary, he has not touched the alcohol, but his baby has given him the "Love Buzz". The off-cantor style of the song lends to the idea of being drunk and fits the lyrics perfectly.
It's Who You Know - Religion is a theme that plays a important role in country music, and Trace adds to it, explaining "You can walk on water/ You can walk on the moon/ You can walk through Memphis wearing blue suede shoes/ When the walkin' is over/ At the end of the road/ It ain't what you've done, son/ It's who you know". The song is not overtly religious until the preacher clip at the end, which I think detracts from the song.
Poor Folks - Adkins is living the simple life, and wondering what the "poor folks are doing tonight". He is not talking about money though. He is talking about the ones that have everything, and yet "ain't got nothin', on us", because he has a love that is more valuable than anything their money can buy. The medium paced song is good, but nothing special.
Always Gonna Be That Way - This is probably the most stale song of the album. It feels like it has been done so many time before: Alan Jackson - "It's Just That Way" and George Strait - "It Just Comes Natural" to name a few. Nothing ever changes, and eventually, Trace (like Alan and George) point out that goes for his love for his woman. The song is not bad, just feels overdone.
That concludes the album, but there are 4 bonus tracks:
Damn You Bubba - I like this song, because the guy he is singing about, Bubba, reminds me a bit of me. Bubba is the guy in the bar who walks into a bar and is the center of the attention. He does not have to do much to get the women to notice him, much to the dismay of Trace, who is trying hard to pick up a woman. He is arrogant makes all the guys jealous. As it turns out, Bubba and Trace are brothers, and Trace just got the short end of the stick. The song is fun, but will not likely be a hit for a while. The end has a bit of a "Big Lebowski" reference as well: "You call yourself 'The Bubba?/ Who does that, really?"
More Of Us - Trace rolls religion, politics, and patriotism and rolls them all into one song. Trace believes (and not without reason) that his beliefs are being trampled on by the government, and it is time to show them that "There's more of us/ Than there are of them". As I mentioned in the Justin Moore review, I am over the whole idea of "Political Country", and one cannot help but wonder if Trace's label owner, Toby Keith, did not have something to do with this being on the album.
If I Was A Woman - After joining Blake Shelton on the song "Hillbilly Bone", Blake returns the favor as they sing about how "If I was a woman/ I'd love a man like me". They then launch into a fun game of "one-upping" as they try to prove why they are the better man. The song is highly entertaining, and the two singers work well together when they are having fun.
Semper Fi - Trace ends the bonus tracks with another tribute to the military, this time singling out the Marines. Having the military background that I do, I could not help but chuckle at the first lines of the song about getting the first haircut. Trace is on the ball throughout the song though, and these military tributes have become one of Trace's signatures: "Semper Fi/ Do or Die/ So gung ho to go and pay the price/ Here's to leathernecks/ Devil Dogs and Jar Heads/ And here's to Paris Island in July/ Semper Fi". The second verse is great, as Adkins demonstrates his gratitude for the things he has not had to experience because the young kid next door volunteered instead. Semper Fi is a great song that any military man or woman can relate to, without crossing the line into being political.
Overall, there is a lot to like about "Proud to Be Here" and while it is not stale, per se, the album does suffer a bit as there is nothing particularly new about Trace's music. 7/10
Proud To Be Here - Adkins leads off with the title track, a genuine, heartfelt track saying how grateful he is that he is still alive. Having read his autobiography, I understand how lucky he is when he sings "I'm just proud to be/ On the right side of the dirt/ I've been loved/ and I've been hurt", later adding "I've been living on borrowed time for years". Adkins, among other things, took a shotgun blast from point blank in the chest from his wife and lived, so he truly is "Proud to be here". The song will resonate with anyone who can look back on their life and see how many times things could have gone differently.
Million Dollar View - As mentioned, one of the things that Trace is known for is his songs about the love he has for his family. This track is the first of such songs. It comes off as a bit of a re-hash of Lonestar's "Outside Looking In" as Trace sings about how of all the beautiful views he could see in the world, the one in his house is the most valuable.
Days Like This - It is a beautiful day, both weather-wise and mentally, and Trace is determined to let nothing ruin it. "So don't bring me a paper/ don't turn on the news/ If it'ill fire me up/ Keep it away from my view/ If the world's gone to hell/ Let it go, I'll blow it a kiss/ Don't want to think about things like that/ On days like this". Given the state of affairs in the world, one can hardly fault him for tuning it out for a day.
That's What You Get - Adkins has a lot to offer a woman, and he goes about explaining it in this upbeat love song, stopping for flowers and other gifts before adding: "That's what you get/ For loving me/ Two strong arms and a heart that won't stop for anything/ The kind of man a woman needs".
Just Fishin' - Another song about his love for his family, Trace's first single from the album about the story behind the scenes as he takes his daughter fishing, spending time and connecting with her: "She ain't even thinking about/ What's really going on right now/ But I guarantee this memories a big'un/ And she thinks we're just fishin'". The song is beautifully written and the video stars his actual daughter, check it out below:
It's A Woman Thang - In what may be one of the most catchy, but controversial songs (it comes off a bit sexist), Trace sets out to explain that guys should just stop trying to understand things their ladies do, but half way through, he thinks about trying: "Maybe I should watch some Oprah/ Bubble bath, sit on the sofa/ Maybe take a 'Cosmo' quiz or two/ Maybe all I need's a hug from/ Fred or Bubba, or 'Big Dubya'/ Maybe I'll come to see your point of view/ NAH, IT'S A WOMAN THANG!". Trace has the reputation of this sort of song dating back to "Honky Tonk Badonkadonk" that allows him to get away with this sort of song, but not many other artists could have.
Love Buzz - Adkins is acting strange, and people begin to suspect him of hitting the bottle a little hard. To the contrary, he has not touched the alcohol, but his baby has given him the "Love Buzz". The off-cantor style of the song lends to the idea of being drunk and fits the lyrics perfectly.
It's Who You Know - Religion is a theme that plays a important role in country music, and Trace adds to it, explaining "You can walk on water/ You can walk on the moon/ You can walk through Memphis wearing blue suede shoes/ When the walkin' is over/ At the end of the road/ It ain't what you've done, son/ It's who you know". The song is not overtly religious until the preacher clip at the end, which I think detracts from the song.
Poor Folks - Adkins is living the simple life, and wondering what the "poor folks are doing tonight". He is not talking about money though. He is talking about the ones that have everything, and yet "ain't got nothin', on us", because he has a love that is more valuable than anything their money can buy. The medium paced song is good, but nothing special.
Always Gonna Be That Way - This is probably the most stale song of the album. It feels like it has been done so many time before: Alan Jackson - "It's Just That Way" and George Strait - "It Just Comes Natural" to name a few. Nothing ever changes, and eventually, Trace (like Alan and George) point out that goes for his love for his woman. The song is not bad, just feels overdone.
That concludes the album, but there are 4 bonus tracks:
Damn You Bubba - I like this song, because the guy he is singing about, Bubba, reminds me a bit of me. Bubba is the guy in the bar who walks into a bar and is the center of the attention. He does not have to do much to get the women to notice him, much to the dismay of Trace, who is trying hard to pick up a woman. He is arrogant makes all the guys jealous. As it turns out, Bubba and Trace are brothers, and Trace just got the short end of the stick. The song is fun, but will not likely be a hit for a while. The end has a bit of a "Big Lebowski" reference as well: "You call yourself 'The Bubba?/ Who does that, really?"
More Of Us - Trace rolls religion, politics, and patriotism and rolls them all into one song. Trace believes (and not without reason) that his beliefs are being trampled on by the government, and it is time to show them that "There's more of us/ Than there are of them". As I mentioned in the Justin Moore review, I am over the whole idea of "Political Country", and one cannot help but wonder if Trace's label owner, Toby Keith, did not have something to do with this being on the album.
If I Was A Woman - After joining Blake Shelton on the song "Hillbilly Bone", Blake returns the favor as they sing about how "If I was a woman/ I'd love a man like me". They then launch into a fun game of "one-upping" as they try to prove why they are the better man. The song is highly entertaining, and the two singers work well together when they are having fun.
Semper Fi - Trace ends the bonus tracks with another tribute to the military, this time singling out the Marines. Having the military background that I do, I could not help but chuckle at the first lines of the song about getting the first haircut. Trace is on the ball throughout the song though, and these military tributes have become one of Trace's signatures: "Semper Fi/ Do or Die/ So gung ho to go and pay the price/ Here's to leathernecks/ Devil Dogs and Jar Heads/ And here's to Paris Island in July/ Semper Fi". The second verse is great, as Adkins demonstrates his gratitude for the things he has not had to experience because the young kid next door volunteered instead. Semper Fi is a great song that any military man or woman can relate to, without crossing the line into being political.
Overall, there is a lot to like about "Proud to Be Here" and while it is not stale, per se, the album does suffer a bit as there is nothing particularly new about Trace's music. 7/10
Sunday, July 31, 2011
Album Review: Eric Church - Chief
Eric Church has a sound unlike any in country music. In fact, he does not have much of a sound at all. None of his songs seem to sound like any other, and that is part of his sound. The interesting thing about him is that he charts at all after recording "Lotta Boot Left To Fill", a song that tore apart mainstream country (I believe specifically Jason Aldean) as sing "what nobody feels". That is something that Eric does great though, he sings about what he, and others, feel and he makes the music he wants to. "Chief", his third album, is expected to debut at #1 of all albums in the US, making it his first #1 country album as well, and for good reason.
"Creepin" - Church leads the album off with a song that has a lot of rock influence, with heavy drum beats and a guitar solo that combine to steal the show. The singer is recovering from a heavy night of drinking after being left in a hurry by the woman he loves. He is trying to move forward, but no matter how hard he tries, the memories catch up with him: "Head for the future/ Run from the past/ Hide from the mirror/ Live in a glass/ What dreams forget the whiskey remembers/ Just like molasses in late December/ Just Creepin'"
Put A Drink In My Hand - In what is sure to be a bar anthem along the lines of Dierks Bentley's "Am I The Only One", the singer has been working hard all week for nothing, and is ready to party, as long as they "put a drink in (his) hand". The song does not stand out, as it is a common theme for country music, but it is still a fun tune and I would bet it being released as a single next summer.
Keep On - If Aerosmith made a country song, it would probably be "Keep On", everything from the guitar to the way it is sung shouts that influence. Incidentally, it is one of my favorite songs on the track. "Keep On" tells the story of the girl he is going to pick up, her guy who is going to fight him because of it, and the morning after deciding if he is going to call in sick if they "Keep on lookin' at me that way". The chorus even sounds like Steven Tyler is a guest singer.
Like Jesus Does - Church slows the album down for a love ballad, much along the same theme as "Guys Like Me" from his debut album "Sinners Like Me". The singer is broken, beat down, a sinner, and far from perfect, but his woman's love for him is unconditional: "All the crazy in my dreams/ Both my broken wings/ Every single piece of everything I am/ Yeah, she knows the main I ain't/ She forgives me when I can't/ And the devil, man, no he don't stand a chance/ Cause she loves me like Jesus does"
Hungover & Hard Up - In another twist that shows Church's diversity of style comes the tropical-influenced "Hungover & Hard Up". The song is a lot like "Creepin" in theme and, while it is not bad, among all the other songs, it is easily forgettable.
Homeboy - The first single off of "Chief", the song reminds us of how different life can be if you make the wrong choices. The singer tells of his brother, who instead of being the country boy working on the farm where they grew up, is running the streets and bouncing in and out of jail. The chorus is a plea for his brother to return, especially in light of their parents failing health: "If you don't ever do anything else for me, just do this for me brother/ Come on home, boy" Enjoy the video:
Country Music Jesus - I think this is my favorite track on the album, picking up where "Lotta Boot Left To Fill" left off on his previous effort "Carolina". The song talks about how country music is broken, and they need someone to come fix it, "Preachin' from the book of Johnny Cash/ A sheep among the wolves there standin' tall/ We need a country music Jesus/ to come and save us all". The chorus has distinct gospel roots, as you would expect, to offset the heavy guitar riff that runs through the verses. The song may never be a hit, but it is a great look at where country is and used to be.
Jack Daniels - Once again, Church has turned to the bottle to solve his women woes, but this one has a bit of unique sound to it that sets it apart. Church has a reputation for being tough, never backing down from a fight, but as soon as the memory of lost love turned its head, "Jack Daniels kicked my ass again last night". The song definitely has some solid guitar-picking though, that makes a solid song from start to end.
Springsteen - This song could easily be compared to Taylor Swift's song, "Tim McGraw", but for an older crowd. Like Swift, Church is remembering young love, and associating it with a famous artist, in this case, Bruce Springsteen. I am sure this song is going to bring back memories for many of Eric's fans, especially those older than I, and it is a great late night cruising song to sing along to.
I'm Gettin' Stoned - This time, alcohol just might not do it to recover from the news he just read, his ex just got married. The song is a fun play on the words for wedding rings and getting high: "Read it in the paper/ Marked the date on my wall/ To remind myself to celebrate/ The day I lose it all/ They made plans to be together/ I made plans to be alone/ She got a rock/ I'm gettin' stoned".
Over When It's Over - Eric Church must have serious problems holding on to a woman, or he is struggling with the same one for the whole album, because he closes the album where he left off, trying to get over her. The song is definitely easy to sing along to, but by the time it rolls around on the album, you are ready for a new theme.
Overall, "Chief" is up there with my previous review of Justin Moore's "Outlaws Like Me" as the best things to come out in the country genre this year. The only thing that leaves this album short of a perfect score is the worn out theme of getting over a love that populates over half of the songs. Musically, the album is fantastic, and no two songs sound the same. Eric Church has truly created a unique sound that he can call his. 9.5/10
Sorry it took so long to get this one up, been in the field and I am trying to make time.
"Creepin" - Church leads the album off with a song that has a lot of rock influence, with heavy drum beats and a guitar solo that combine to steal the show. The singer is recovering from a heavy night of drinking after being left in a hurry by the woman he loves. He is trying to move forward, but no matter how hard he tries, the memories catch up with him: "Head for the future/ Run from the past/ Hide from the mirror/ Live in a glass/ What dreams forget the whiskey remembers/ Just like molasses in late December/ Just Creepin'"
Put A Drink In My Hand - In what is sure to be a bar anthem along the lines of Dierks Bentley's "Am I The Only One", the singer has been working hard all week for nothing, and is ready to party, as long as they "put a drink in (his) hand". The song does not stand out, as it is a common theme for country music, but it is still a fun tune and I would bet it being released as a single next summer.
Keep On - If Aerosmith made a country song, it would probably be "Keep On", everything from the guitar to the way it is sung shouts that influence. Incidentally, it is one of my favorite songs on the track. "Keep On" tells the story of the girl he is going to pick up, her guy who is going to fight him because of it, and the morning after deciding if he is going to call in sick if they "Keep on lookin' at me that way". The chorus even sounds like Steven Tyler is a guest singer.
Like Jesus Does - Church slows the album down for a love ballad, much along the same theme as "Guys Like Me" from his debut album "Sinners Like Me". The singer is broken, beat down, a sinner, and far from perfect, but his woman's love for him is unconditional: "All the crazy in my dreams/ Both my broken wings/ Every single piece of everything I am/ Yeah, she knows the main I ain't/ She forgives me when I can't/ And the devil, man, no he don't stand a chance/ Cause she loves me like Jesus does"
Hungover & Hard Up - In another twist that shows Church's diversity of style comes the tropical-influenced "Hungover & Hard Up". The song is a lot like "Creepin" in theme and, while it is not bad, among all the other songs, it is easily forgettable.
Homeboy - The first single off of "Chief", the song reminds us of how different life can be if you make the wrong choices. The singer tells of his brother, who instead of being the country boy working on the farm where they grew up, is running the streets and bouncing in and out of jail. The chorus is a plea for his brother to return, especially in light of their parents failing health: "If you don't ever do anything else for me, just do this for me brother/ Come on home, boy" Enjoy the video:
Country Music Jesus - I think this is my favorite track on the album, picking up where "Lotta Boot Left To Fill" left off on his previous effort "Carolina". The song talks about how country music is broken, and they need someone to come fix it, "Preachin' from the book of Johnny Cash/ A sheep among the wolves there standin' tall/ We need a country music Jesus/ to come and save us all". The chorus has distinct gospel roots, as you would expect, to offset the heavy guitar riff that runs through the verses. The song may never be a hit, but it is a great look at where country is and used to be.
Jack Daniels - Once again, Church has turned to the bottle to solve his women woes, but this one has a bit of unique sound to it that sets it apart. Church has a reputation for being tough, never backing down from a fight, but as soon as the memory of lost love turned its head, "Jack Daniels kicked my ass again last night". The song definitely has some solid guitar-picking though, that makes a solid song from start to end.
Springsteen - This song could easily be compared to Taylor Swift's song, "Tim McGraw", but for an older crowd. Like Swift, Church is remembering young love, and associating it with a famous artist, in this case, Bruce Springsteen. I am sure this song is going to bring back memories for many of Eric's fans, especially those older than I, and it is a great late night cruising song to sing along to.
I'm Gettin' Stoned - This time, alcohol just might not do it to recover from the news he just read, his ex just got married. The song is a fun play on the words for wedding rings and getting high: "Read it in the paper/ Marked the date on my wall/ To remind myself to celebrate/ The day I lose it all/ They made plans to be together/ I made plans to be alone/ She got a rock/ I'm gettin' stoned".
Over When It's Over - Eric Church must have serious problems holding on to a woman, or he is struggling with the same one for the whole album, because he closes the album where he left off, trying to get over her. The song is definitely easy to sing along to, but by the time it rolls around on the album, you are ready for a new theme.
Overall, "Chief" is up there with my previous review of Justin Moore's "Outlaws Like Me" as the best things to come out in the country genre this year. The only thing that leaves this album short of a perfect score is the worn out theme of getting over a love that populates over half of the songs. Musically, the album is fantastic, and no two songs sound the same. Eric Church has truly created a unique sound that he can call his. 9.5/10
Sorry it took so long to get this one up, been in the field and I am trying to make time.
Saturday, July 23, 2011
Album Review: Justin Moore - Outlaws Like Me
Justin Moore is one of my favorite artists. He first burst onto the country scene with his hit "Small Town USA" in the fall of 2009 and has three top ten singles, two at number one. His sophomore album "Outlaws Like Me" has already climbed to #1 on the country albums and has produced a number one hit, "If Heaven Wasn't So Far Away". Moore stated that his goal with this album was to create some real country music, the stuff that George Strait would make, and I think he has succeeded.
Redneck Side - This is a song that was cut from his debut album, but Moore plays it at his concerts and it became such a fan favorite, he had to re-cut it for the new album. It is a great party song, and serves perfectly as the lead-off song for the album. The song talks about how, no matter how hard he tries, he cannot hide who he really is. He goes to fancy parties and meets his girlfriend's parents, and tries to act proper, but eventually, he cannot help it, his redneck side comes out and he ends up "in their pool at 2am/ wearin' nothin' but a farmer's tan/ No I can't hide my redneck side/ It's in my blood till the day I die"
My Kind Of Woman - After showing off his "Redneck Side", Moore tells us about the redneck kind of woman that he likes, saying "She looks good on my tractor/ Good in my truck/ Good in her bed when the sun comes up/ She's good with a cane pole/ Good with a gun/ It's cornbread, sweet tea where she's from/ She's my kind of woman/ good as they come". The blend of a little rock and a little romance slows the pace that the lead track started just enough to make a seamless transition to the lead-off single that follows.
If Heaven Wasn't So Far Away - Anyone who listened to Moore's debut album knows that he loves his late grandfather, and misses him dearly. Justin wishes that heaven were just a bit closer, so he could "Pack up the kids and go for the day/ Introduce them to their grandpa/ Watch 'em laugh at the way he talks". Moore continues to list off the people he would visit while their: The girls who died from the class of 99, his bird dog, Bo, Hank Williams Sr., Janis Joplin, and his cousin, who died in Vietnam. "Heaven" is definitely one that will strike home with everyone who hears it as they think about who they would see if they could just drive to heaven for a day. The song is already a hit, having reached #1 on the charts. Enjoy the video:
Run Out Of Honky Tonks - Honky Tonks is what people think of when they think of the negative side of country: My baby left me and I am trying to drink her away. Moore nails it though, as he tells about trying to run to every bar where she might not catch up to him. He realizes it is not working though, wondering "what if I run out of honky tonks/ Before I get over her?" Moore manages to take this stereotypical song, and apply his unique twang to make it his.
Beer Time - Moore apparently is over his woman woes, as the mood picks up with "Beer Time". He has just made it "Country Rich" with his bird dog having had babies that he can sell for a pretty penny. He has a couple debts off, but more importantly, he has an empty ice chest, and that is the issue he is determined to remedy, heading with the boys to the county line to pick up some beer. Then it is off to the muddy roads and a Hank Jr concert for an awesome weekend. This song, combined with "Redneck Side" make an awesome combination for a bar or party scene, and I find myself singing it all the time.
Bait A Hook - Ever had an ex that you saw with a new guy/girl who was the exact OPPOSITE of you, and the opposite of everything that ex said she wanted in a relationship? Pretty sure everyone has, and Justin tackles this is a humorous way, making for my favorite track on the album. Moore is not worried though, as this guy, who Can't bait a hook, skin a buck, has no idea who Jack Daniels is, and eats sushi and drinks umbrella drinks will quickly bore her and she will come crawling back. Anyone who has been in this situation will find themselves laughing, thinking "Yup, been there done that". It is easy to see why this is the new single from the album, and will hopefully climb high on the charts.
Flyin' Down A Back Road - Moore has been everywhere, and feels like he has done everything, starting off with "I've been on the Grand Ole Opry/ I played a show with ZZ Top/ Went on tour with Skynard/ And man they still rock/ Shot the bull with Bosephus/ Before he climbed up on his jet/ Played South Florida with Alan Jackson/ That's some things that you never forget". But none of that compares to being home, relaxing, and spending time with friends and family. The song makes it obvious that he is grateful for all of his opportunities, but still enjoys the small town roots where he came from. It is a bit slower, but very catchy, and he paints a vivid picture that one can almost design their own music video in their head.
If You Don't Like My Twang - Moore's version of "Kiss My Country Ass" is not as catchy, but still a lot of fun, even throwing in a reference to the song that made him famous. "I don't care if you don't like my twang/ Cause I know they love it in Small Town USA/ It's the way I live/ It's the way I talk/ Hell yeah, it's the way I sing/ So I don't care, if you don't like my twang". Moore comes off almost arrogant in this song, but his attitude makes it work.
Guns - This is easily my least favorite song on the album. I feel as if the "political stance" is just too overdone in country music, whether it is most of what Toby Keith makes or Brad Paisley's "Welcome to the Future" or a lot of Charlie Daniels music. but Moore is determined to make it known that he loves his guns, and there is no way you are going to take them from him as long as he lives. The song itself is not bad, but political is overused and makes it feel a bit old.
Sunshine Babies - Justin Moore contributes his piece to the likes of Jason Aldean's "She's Country", singing about what he loves about the various girls in different parts of the country. "All across the land, workin' on a tan/ Drivin' country boys crazy". The song definitely fits in with that style and makes for a great highway driving song.
Til My Last Day - The singer has not had a very clean past, and most people say that his woman should give up on him, as he is no good for her. But he is determined to prove them wrong, that he can change and that he is going to love her until his last breath. Moore does a great job again of mixing the romance in without slowing the song done too much, saving the slow stuff for the final two songs.
Bed Of My Chevy - Even though I am a Dodge Fan, "Bed Of My Chevy" is one of my favorite songs. He is determined to prove what he said in the previous song, driving out to the middle of nowhere and treating his woman to the best view in town of the moon and fireflies. The song feels like a direct sequel to "Like There's No Tomorrow" off the debut album, and it serves well in that role.
Outlaws Like Me - Moore turns inward as he reflects on who he is on this title track. He has been everything, good and bad, whiskey pounder and church goer, "But each days a choice, which one I'm gonna be/ God bless outlaws like me". He knows his full potential on either end of the spectrum and is thankful that God loves him for who he is. The slow end to the album is a beautifully written song, putting a lot of the focus on Moore's voice and guitar. After he finishes singing, the guitar comes in again for about two minutes as the album draws to a close.
Overall, Justin Moore's "Outlaws Like Me" is almost pure country gold. He does a brilliant job of taking the songs and making them his own, and his voice is one of those distinguishable voices in a genre of clones. The album is mixed beautifully, transitioning from fast to slow rather than jumping like most albums do. "Outlaws" is easily the best country album to come out so far in 2011. 9.5/10
Redneck Side - This is a song that was cut from his debut album, but Moore plays it at his concerts and it became such a fan favorite, he had to re-cut it for the new album. It is a great party song, and serves perfectly as the lead-off song for the album. The song talks about how, no matter how hard he tries, he cannot hide who he really is. He goes to fancy parties and meets his girlfriend's parents, and tries to act proper, but eventually, he cannot help it, his redneck side comes out and he ends up "in their pool at 2am/ wearin' nothin' but a farmer's tan/ No I can't hide my redneck side/ It's in my blood till the day I die"
My Kind Of Woman - After showing off his "Redneck Side", Moore tells us about the redneck kind of woman that he likes, saying "She looks good on my tractor/ Good in my truck/ Good in her bed when the sun comes up/ She's good with a cane pole/ Good with a gun/ It's cornbread, sweet tea where she's from/ She's my kind of woman/ good as they come". The blend of a little rock and a little romance slows the pace that the lead track started just enough to make a seamless transition to the lead-off single that follows.
If Heaven Wasn't So Far Away - Anyone who listened to Moore's debut album knows that he loves his late grandfather, and misses him dearly. Justin wishes that heaven were just a bit closer, so he could "Pack up the kids and go for the day/ Introduce them to their grandpa/ Watch 'em laugh at the way he talks". Moore continues to list off the people he would visit while their: The girls who died from the class of 99, his bird dog, Bo, Hank Williams Sr., Janis Joplin, and his cousin, who died in Vietnam. "Heaven" is definitely one that will strike home with everyone who hears it as they think about who they would see if they could just drive to heaven for a day. The song is already a hit, having reached #1 on the charts. Enjoy the video:
Run Out Of Honky Tonks - Honky Tonks is what people think of when they think of the negative side of country: My baby left me and I am trying to drink her away. Moore nails it though, as he tells about trying to run to every bar where she might not catch up to him. He realizes it is not working though, wondering "what if I run out of honky tonks/ Before I get over her?" Moore manages to take this stereotypical song, and apply his unique twang to make it his.
Beer Time - Moore apparently is over his woman woes, as the mood picks up with "Beer Time". He has just made it "Country Rich" with his bird dog having had babies that he can sell for a pretty penny. He has a couple debts off, but more importantly, he has an empty ice chest, and that is the issue he is determined to remedy, heading with the boys to the county line to pick up some beer. Then it is off to the muddy roads and a Hank Jr concert for an awesome weekend. This song, combined with "Redneck Side" make an awesome combination for a bar or party scene, and I find myself singing it all the time.
Bait A Hook - Ever had an ex that you saw with a new guy/girl who was the exact OPPOSITE of you, and the opposite of everything that ex said she wanted in a relationship? Pretty sure everyone has, and Justin tackles this is a humorous way, making for my favorite track on the album. Moore is not worried though, as this guy, who Can't bait a hook, skin a buck, has no idea who Jack Daniels is, and eats sushi and drinks umbrella drinks will quickly bore her and she will come crawling back. Anyone who has been in this situation will find themselves laughing, thinking "Yup, been there done that". It is easy to see why this is the new single from the album, and will hopefully climb high on the charts.
Flyin' Down A Back Road - Moore has been everywhere, and feels like he has done everything, starting off with "I've been on the Grand Ole Opry/ I played a show with ZZ Top/ Went on tour with Skynard/ And man they still rock/ Shot the bull with Bosephus/ Before he climbed up on his jet/ Played South Florida with Alan Jackson/ That's some things that you never forget". But none of that compares to being home, relaxing, and spending time with friends and family. The song makes it obvious that he is grateful for all of his opportunities, but still enjoys the small town roots where he came from. It is a bit slower, but very catchy, and he paints a vivid picture that one can almost design their own music video in their head.
If You Don't Like My Twang - Moore's version of "Kiss My Country Ass" is not as catchy, but still a lot of fun, even throwing in a reference to the song that made him famous. "I don't care if you don't like my twang/ Cause I know they love it in Small Town USA/ It's the way I live/ It's the way I talk/ Hell yeah, it's the way I sing/ So I don't care, if you don't like my twang". Moore comes off almost arrogant in this song, but his attitude makes it work.
Guns - This is easily my least favorite song on the album. I feel as if the "political stance" is just too overdone in country music, whether it is most of what Toby Keith makes or Brad Paisley's "Welcome to the Future" or a lot of Charlie Daniels music. but Moore is determined to make it known that he loves his guns, and there is no way you are going to take them from him as long as he lives. The song itself is not bad, but political is overused and makes it feel a bit old.
Sunshine Babies - Justin Moore contributes his piece to the likes of Jason Aldean's "She's Country", singing about what he loves about the various girls in different parts of the country. "All across the land, workin' on a tan/ Drivin' country boys crazy". The song definitely fits in with that style and makes for a great highway driving song.
Til My Last Day - The singer has not had a very clean past, and most people say that his woman should give up on him, as he is no good for her. But he is determined to prove them wrong, that he can change and that he is going to love her until his last breath. Moore does a great job again of mixing the romance in without slowing the song done too much, saving the slow stuff for the final two songs.
Bed Of My Chevy - Even though I am a Dodge Fan, "Bed Of My Chevy" is one of my favorite songs. He is determined to prove what he said in the previous song, driving out to the middle of nowhere and treating his woman to the best view in town of the moon and fireflies. The song feels like a direct sequel to "Like There's No Tomorrow" off the debut album, and it serves well in that role.
Outlaws Like Me - Moore turns inward as he reflects on who he is on this title track. He has been everything, good and bad, whiskey pounder and church goer, "But each days a choice, which one I'm gonna be/ God bless outlaws like me". He knows his full potential on either end of the spectrum and is thankful that God loves him for who he is. The slow end to the album is a beautifully written song, putting a lot of the focus on Moore's voice and guitar. After he finishes singing, the guitar comes in again for about two minutes as the album draws to a close.
Overall, Justin Moore's "Outlaws Like Me" is almost pure country gold. He does a brilliant job of taking the songs and making them his own, and his voice is one of those distinguishable voices in a genre of clones. The album is mixed beautifully, transitioning from fast to slow rather than jumping like most albums do. "Outlaws" is easily the best country album to come out so far in 2011. 9.5/10
Friday, July 22, 2011
Album Review: Chris Young - Neon
Chris Young follows an emerging trend among country artists today, but this is not a negative one. Following in the footsteps of Trace Adkins, Jamey Johnson, Randy Houser, and Josh Turner, Young is not creating the music everyone else is, but is instead distinguishing himself by having a unique voice. He has become one of those artists who, even having never heard the song before, you can identify him just by how he sings.
"Neon", Young's third album, follows "The Man I Want To Be", which produced three number ones ("Getting You Home", "The Man I Want To Be" and "Voices"). With "Neon", Chris picks up right where he left of, relying on his voice to serenade the ladies and talk about the advice he has received over the years. Unfortunately, it debuted the same week as Blake Shelton's "Red River Blue", so it debuted at #2 on the country albums and #4 overall. So, how does this album stack up against his breakout sophomore album?
I Can Take It From There - The lead off song takes its cues from Joe Nichols' "Gimme That Girl" as well as Young's own "Gettin You Home" and the tempo falls somewhere in between the two. The singer decides that it would be more fun to shun the big party or the restaurant and stay home with his baby. The song does a good job of setting the tone for the rest of the album, but it still does not do enough to hook the listener right from the start.
Lost - Chris Young is definitely all about just spending some one-on-one time with his baby. This time, instead of staying home, he wants to get lost in every way imaginable, physically, mentally and emotionally as he sings about losing himself "Down some old back road/ Lost in a song on the radio/ Lost in your deep blue eyes". The song is a little more fun than "Take It From There", and listeners will quickly learn the words and find themselves singing along.
Tomorrow - Everybody has found themselves there, broken, and wanting just one more night before they truly accept the end of a relationship. Young's first single from "Neon" (currently #2 on the charts) is about just that. He knows the relationship has run its course, that there is no salvaging it, but he still wants one more night to forget it all, including the morning after, before he finally lets go. "But tonight I'm gonna give in one last time/ Rock you strong in these arms of mine/ Forget all the regret that is bound to follow/ We're like fire and gasoline/ I'm no good for you/ You're no good for me/ We only bring each other tears and sorrow/ But tonight, I'm gonna love you like there's no/ Tomorrow". In a genre full of sad songs, Chris Young stands out as someone who rather than just wishing for one more night, takes the opportunity that he has and you can feel the emotion and imagine him the next morning thinking, "okay, maybe TOMORROW".... But for now, enjoy the music video:
Save Water, Drink Beer - Young's town is in the midst of a four-month drought, but the singer has found the solution to preserve the environment, and it is an enjoyable one at that. Save Water is easily the most fun song on the album, but for that reason, it feels out of place in its position. The song will definitely catch on in the bars for years to come if it becomes a single (which it should!)
Neon - The title track to the album returns to the slower pace that Chris is known for. This ode to bars is fits well among the likes of Jamey Johnson and other slow drinking tunes. As Young sings, one can imagine an run down honkytonk full of men trying to drown their troubles away, and you will find yourself swaying with it as you cradle your drink in both hands.
Old Love Feels New - Grandpa's stories come into play, as he relates to Young how he and his grandma met, and how he knew from the start that she was the one, saying "That's how you know..... / You feel like she's always been in your soul...../ That's how you know it's true/ When an new love feels old/ And an old love feels new".
You - Chris does not relent on the love songs, this time telling his own woman how he knows that she is perfect for him, even making him change his ways "I used to rush off for work and get home late/ but now I show up late and rush back home". This feels like the type of song for spontaneous serenading from a guy to a girl, it is catchy and easy to learn. Nothing special, but still a good song.
Flashlight - Shortly after learning a lesson from his grandfather, the singer's dad makes an appearance. Young's "Flashlight" feels like a mix between "Dashboard" and "Voices" off of his previous album, as he sings about the lessons about life that his dad taught him while working on his truck. Young admits that even to this day, he cannot fix a vehicle, but he "Sure did learn a lot/ Just holding the flashlight". The song is a feel good song, and will even make you laugh at the end of the second verse: "Then I asked him about women, and he just laughed/ Said if we stayed out here all year/ We wouldn't have time enough for that"
When She's On - This is one of my favorite songs from the album, because I live it every day (yes Lynzee, I mean you). The verses all describe his lady as she is turning heads when she is trying, but even that does not compare to the version he sees when she is really on, not trying to look pretty, and just having a natural beauty to her in her laid back style. Young sings "When you see her dressed to kill/ And it drops your jaw/ You ought to see her when she's on that leather couch/ reading that fairy tale, that's when she's on". Every guy can relate to this, because every guy knows a girl like this. I am just lucky enough to have one.
She's Got This Thing About Her - Young closes the album with one more serenade about his girl. He just cannot describe what makes her special, but he is going to do his best to try. You get the feeling that he could just carry on and on and on about her and still never touch on what it is that he loves about her. It is a beautiful song to end the album with.
Overall, "Neon" is not an overly catchy album, but it does not need to be. Chris Young has established himself as the type of singer who is more comfortable singing to a woman, and definitely has the voice to make their legs weak. Look for a lot of the same in the future, as Young has found his zone, and is sure to sell out record stores and concerts for years to come. 7.5/10
This weekend, I will be reviewing Brad Paisley's latest album, "This Is Country Music" as well as Justin Moore's "Outlaws Like Me"
"Neon", Young's third album, follows "The Man I Want To Be", which produced three number ones ("Getting You Home", "The Man I Want To Be" and "Voices"). With "Neon", Chris picks up right where he left of, relying on his voice to serenade the ladies and talk about the advice he has received over the years. Unfortunately, it debuted the same week as Blake Shelton's "Red River Blue", so it debuted at #2 on the country albums and #4 overall. So, how does this album stack up against his breakout sophomore album?
I Can Take It From There - The lead off song takes its cues from Joe Nichols' "Gimme That Girl" as well as Young's own "Gettin You Home" and the tempo falls somewhere in between the two. The singer decides that it would be more fun to shun the big party or the restaurant and stay home with his baby. The song does a good job of setting the tone for the rest of the album, but it still does not do enough to hook the listener right from the start.
Lost - Chris Young is definitely all about just spending some one-on-one time with his baby. This time, instead of staying home, he wants to get lost in every way imaginable, physically, mentally and emotionally as he sings about losing himself "Down some old back road/ Lost in a song on the radio/ Lost in your deep blue eyes". The song is a little more fun than "Take It From There", and listeners will quickly learn the words and find themselves singing along.
Tomorrow - Everybody has found themselves there, broken, and wanting just one more night before they truly accept the end of a relationship. Young's first single from "Neon" (currently #2 on the charts) is about just that. He knows the relationship has run its course, that there is no salvaging it, but he still wants one more night to forget it all, including the morning after, before he finally lets go. "But tonight I'm gonna give in one last time/ Rock you strong in these arms of mine/ Forget all the regret that is bound to follow/ We're like fire and gasoline/ I'm no good for you/ You're no good for me/ We only bring each other tears and sorrow/ But tonight, I'm gonna love you like there's no/ Tomorrow". In a genre full of sad songs, Chris Young stands out as someone who rather than just wishing for one more night, takes the opportunity that he has and you can feel the emotion and imagine him the next morning thinking, "okay, maybe TOMORROW".... But for now, enjoy the music video:
Save Water, Drink Beer - Young's town is in the midst of a four-month drought, but the singer has found the solution to preserve the environment, and it is an enjoyable one at that. Save Water is easily the most fun song on the album, but for that reason, it feels out of place in its position. The song will definitely catch on in the bars for years to come if it becomes a single (which it should!)
Neon - The title track to the album returns to the slower pace that Chris is known for. This ode to bars is fits well among the likes of Jamey Johnson and other slow drinking tunes. As Young sings, one can imagine an run down honkytonk full of men trying to drown their troubles away, and you will find yourself swaying with it as you cradle your drink in both hands.
Old Love Feels New - Grandpa's stories come into play, as he relates to Young how he and his grandma met, and how he knew from the start that she was the one, saying "That's how you know..... / You feel like she's always been in your soul...../ That's how you know it's true/ When an new love feels old/ And an old love feels new".
You - Chris does not relent on the love songs, this time telling his own woman how he knows that she is perfect for him, even making him change his ways "I used to rush off for work and get home late/ but now I show up late and rush back home". This feels like the type of song for spontaneous serenading from a guy to a girl, it is catchy and easy to learn. Nothing special, but still a good song.
Flashlight - Shortly after learning a lesson from his grandfather, the singer's dad makes an appearance. Young's "Flashlight" feels like a mix between "Dashboard" and "Voices" off of his previous album, as he sings about the lessons about life that his dad taught him while working on his truck. Young admits that even to this day, he cannot fix a vehicle, but he "Sure did learn a lot/ Just holding the flashlight". The song is a feel good song, and will even make you laugh at the end of the second verse: "Then I asked him about women, and he just laughed/ Said if we stayed out here all year/ We wouldn't have time enough for that"
When She's On - This is one of my favorite songs from the album, because I live it every day (yes Lynzee, I mean you). The verses all describe his lady as she is turning heads when she is trying, but even that does not compare to the version he sees when she is really on, not trying to look pretty, and just having a natural beauty to her in her laid back style. Young sings "When you see her dressed to kill/ And it drops your jaw/ You ought to see her when she's on that leather couch/ reading that fairy tale, that's when she's on". Every guy can relate to this, because every guy knows a girl like this. I am just lucky enough to have one.
She's Got This Thing About Her - Young closes the album with one more serenade about his girl. He just cannot describe what makes her special, but he is going to do his best to try. You get the feeling that he could just carry on and on and on about her and still never touch on what it is that he loves about her. It is a beautiful song to end the album with.
Overall, "Neon" is not an overly catchy album, but it does not need to be. Chris Young has established himself as the type of singer who is more comfortable singing to a woman, and definitely has the voice to make their legs weak. Look for a lot of the same in the future, as Young has found his zone, and is sure to sell out record stores and concerts for years to come. 7.5/10
This weekend, I will be reviewing Brad Paisley's latest album, "This Is Country Music" as well as Justin Moore's "Outlaws Like Me"
Thursday, July 21, 2011
Album Review: Colt Ford - Every Chance I Get
Colt Ford is one of those artists that causes a division among fans of country music. Fans of the more historical side of the genre say that rap has no place in country music. Others, like myself, will say that country music is not about the instruments and the style in which it is played, but the words, and the feeling behind them is what makes it "country". This division is evident when you compare the two albums the Georgia Boy has released prior to "Every Chance I Get", released a couple months ago in early May. Those who praised his debut album, "Ride Through The Country", downed "Chicken and Biscuits" (Colt's sophomore release) as being too much singing and not enough of the rap that made his music unique.
One thing is for certain, Colt Ford is a rising star in the genre, whether you call it country, rap, or some mix. He is currently celebrating having penned a number one song, Dirt Road Anthem, which he and buddy Brantley Gilbert penned and recorded, before allowing Jason Aldean to take it, make it his own, and take it to the top of the charts. Colt also has no problems making friends with fellow country artists, both established and rising stars. Previous albums have included collaborations with John Michael Montgomery, Jamey Johnson, Darryl Worley, Randy Houser, DMC, Kevin Fowler, Joe Nichols, Rhett Akins, Josh Gracin and more. "Every Chance I Get" is no exception, with all but the title track featuring a special guest, and I believe that Colt has found the perfect blend of country and rap to satisfy both fans and critics of the first two albums.
Country Thang - This song features Eric Church, one of the fastest rising names in country music today. It was also the first single released from the song. The two artists work together well to paint a picture of a small town, and subsequently, his small town girl, describing it all as being "a country thang" that is "either in your blood or it ain't". It serves as a great anthem for anyone who has grown up in a rural town, with dirt roads and bird dogs, and definitely sets the mood for what turns out to be a great driving album.
Work It Out - The upbeat pace continues as Luke Bryan lends his voice to the chorus of this song, which expresses every husband or boyfriend's frustrations at how life gets overbearing. Bills are stacked high, the lawn needs "mown", the truck is broken down. There is just not enough time to get everything done, but when it comes down to it, they know that they can "work it out" with their baby by their side, saying "Baby it's true/ all I need is you/ Just unplug the phone/ Let me get you all alone/ and work it out/ why don't we start right now?".
Waste Some Time - Nappy Roots (Southern Rappers from Kentucky) and Nic Cowan (Debut Album coming in August) join Colt on one of my favorite songs of the album. The group has decided that instead of taking everyone's advice to "Focus on my life/ work a little harder/ do my part/ start living right", they just want to waste some time and kick back and enjoy the world around them. The rhythm and guitar picking (definitely drawing inspiration from "Sweet Home Alabama") when combined with the lyrics leave one picturing the group cruising down the road in pickup trucks and having fun. Colt Ford actually takes more of a backseat in this song, really only performing the first verse and letting the others get the spotlight for a bit. This is recognized later, when one of the rappers thanks both God and Colt: "Got a little wealth so I gotta thank the Lord/ Couldn't do it by myself, got some help from Colt Ford". Overall, though it slows the pace set by the first two songs a little bit, the song is very catchy and you will find yourself bobbing your head along.
Do It With My Eyes Closed - Josh Thompson ("Beer On The Table", "Way Out Here") is the guest on what I consider to actually be one of the weakest songs on the album. The song just sounds too much like "Work It Out", talking about how hard life can be, "But loving you's so easy/ I could do it with my eyes closed/ Day and Night/ Night and Day/ Sound asleep/ wide awake/ Loving you is something I know". It just does not have that hook that the rest of the songs do, and so close after "Work It Out" just does not fit with the rest of the album.
This Is Our Song - Danny Boone of Rehab ("Sittin at a Bar/The Bartender Song") joins Colt in this credo/anthem of the country lifestyle. Fans who do not enjoy the rap aspect of Ford's music are not going to enjoy this, but may find themselves relating to the statements nonetheless: "Folks 'round still believe in God/ and the right tote a gun/ and our flag don't run/ ain't askin' you for nothin'/ if we can't get it on our own/ tell the government to leave our check and church alone". Later, at the end of the chorus, they challenge those who disagree "And if you don't like/ then don't come around". It is one of the stronger songs on an amazingly strong album.
Titty's Beer - As one can guess from the title, this is easily the funniest song on the album, and Trent Tomlinson ("One Wing In The Fire", "She Just Might Have Her Radio On") joins the 300 pound rapper as he tells the story of his Uncle Titus, who wants to sell his own beer. Titus realizes that he can make money, not off of taste, but off of the name: "He called it Titty's, Titty's, Titty's Beer/ Just the thing to get you grinnin' ear to ear/ Whether you're from the country or the big ole city/ One thing's for sure, EVERYBODY LOVES TITTY'S!". I know that about the time of the second line of the chorus, I found myself laughing my head off, and while it is not a "Strong" song, the innuendos of selling it in "Jugs" and having Dolly Parton in the ads, definitely makes it among the best songs.
She Wants To Ride In Trucks - Colt Ford finally slows the album down for what he considers his favorite song of the album, and he has found the perfect guy to join him for a sentimental song for his daughter, Craig Morgan ("Bonfire", "Redneck Yacht Club", "Tough"). The song tells the story of being a father, and the struggles of raising a teenage daughter that he is so close with: "It seems like yesterday we were bringing you home/ I was so scared to hold you/ now I'm scared to let go" sings Colt, and the emotion is evident. The song continues as Colt sees himself in the boy she brings home, and while the theme is a bit overdone in the country genre, Ford and Morgan do a great job of painting the picture of a father looking out a screen door as she drives off.
Pipe The Sunshine In - Newcomer Tyler Farr and Colt Ford combine on what is actually one of the more forgettable songs on the album. "Pipe The Sunshine In" has a fun chorus, but like "Trucks" above, the idea of living in the middle of nowhere and making your own moonshine has been overdone. Unfortunately, there is not much to distinguish this song from any other like it.
Every Chance I Get - The only song on the album without a guest appearance, Colt and his band handle this one on their own. The song is a improvement of "Pipe", but still is not a standout, talking about growing up and getting out of the party life for a woman:: "And now/ I only do it every chance I get/ It ain't a habit/ I got a handle on it/ It ain't an all day everyday thing/ Unless I think I can./ I used to do it every morning noon and night/ Now I could stop it/ and I ain't lying/ I slowed down so much, you could say I quit/ Cause now I only do it every chance I get". The guitar in the song is definitely the highlight in an otherwise mediocre song.
What I Call Home - Eventually, every artist does a tribute to his fans, and Colt enlists JB and the Moonshine Band to help him with this one. Colt goes on a rap about all the places he has visited, hitting pretty much every state on the way, which gets old after a while, however, he truly does sound grateful for the opportunities that the fans have given him over the years, embracing an artist that blurs the lines of country music.
Overworked & Underpaid - The legendary Charlie Daniels joins in on the last of the string of "re-hashed" country songs that make up most of the second half of the album. This one is a tribute to all of those "Overworked and underpaid/ the one's who make this country great". Colt dedicates this song to everyone from the Soldiers, Police, and Firemen to the teachers and those who work hard to bring us the music. The real shame of this song is the lack of showcasing Charlie Daniels' fiddlin' skills. There is a brief solo about the two-minute mark, but not nearly strong to distinguish it from anything that anyone who knows how to play could do.
Skirts & Boots - Up and Coming artist Frankie Ballard ("Tell Me You Get Lonely" and "A Buncha Girls") helps bring the life back to the album, and the party. This song could easily be a popular bar song, as that is exactly what it is about, the girls who go, and the boys who go to see them. The song could easily be a sequel to "All About Ya'll" from the previous album, "Chicken and Biscuits". I see this song being a potential upcoming single for Colt, after "She Likes To Ride In Trucks" is done.
Twisted - This is a song that Colt originally recorded and put on his debut album ("Ride Through The Country"), but this time, he has convinced none other than Tim McGraw to sing the chorus on the track. When the original album came out, this song did not strike me as that great, but quickly grew to be one of my favorites and still is. The song does not sound too much different with McGraw than it did with his bandmates, but is still a solid song to end the album with, telling the story of a young adult, faced with the choice of staying in his small town after high school, or going to "chase the bright lights of the California nights" by going to play football for UCLA. He chooses the latter, but after getting laughed at for ordering sweet tea, he realizes everything that he left and heads home where he belongs.
Overall, Colt Ford has put out a solid album, whose only real flaw is that the second half sounds too indistinguishable from the themes of every other country song out there. However, Colts unique blend of styles makes the most of it and the album makes great driving music. This is Ford at his best, doing a solid mix of the country and rap and is sure to have something to please even the staunchest critics. 8/10
Next, I will review Chris Young's newest offering, "Neon"
One thing is for certain, Colt Ford is a rising star in the genre, whether you call it country, rap, or some mix. He is currently celebrating having penned a number one song, Dirt Road Anthem, which he and buddy Brantley Gilbert penned and recorded, before allowing Jason Aldean to take it, make it his own, and take it to the top of the charts. Colt also has no problems making friends with fellow country artists, both established and rising stars. Previous albums have included collaborations with John Michael Montgomery, Jamey Johnson, Darryl Worley, Randy Houser, DMC, Kevin Fowler, Joe Nichols, Rhett Akins, Josh Gracin and more. "Every Chance I Get" is no exception, with all but the title track featuring a special guest, and I believe that Colt has found the perfect blend of country and rap to satisfy both fans and critics of the first two albums.
Country Thang - This song features Eric Church, one of the fastest rising names in country music today. It was also the first single released from the song. The two artists work together well to paint a picture of a small town, and subsequently, his small town girl, describing it all as being "a country thang" that is "either in your blood or it ain't". It serves as a great anthem for anyone who has grown up in a rural town, with dirt roads and bird dogs, and definitely sets the mood for what turns out to be a great driving album.
Work It Out - The upbeat pace continues as Luke Bryan lends his voice to the chorus of this song, which expresses every husband or boyfriend's frustrations at how life gets overbearing. Bills are stacked high, the lawn needs "mown", the truck is broken down. There is just not enough time to get everything done, but when it comes down to it, they know that they can "work it out" with their baby by their side, saying "Baby it's true/ all I need is you/ Just unplug the phone/ Let me get you all alone/ and work it out/ why don't we start right now?".
Waste Some Time - Nappy Roots (Southern Rappers from Kentucky) and Nic Cowan (Debut Album coming in August) join Colt on one of my favorite songs of the album. The group has decided that instead of taking everyone's advice to "Focus on my life/ work a little harder/ do my part/ start living right", they just want to waste some time and kick back and enjoy the world around them. The rhythm and guitar picking (definitely drawing inspiration from "Sweet Home Alabama") when combined with the lyrics leave one picturing the group cruising down the road in pickup trucks and having fun. Colt Ford actually takes more of a backseat in this song, really only performing the first verse and letting the others get the spotlight for a bit. This is recognized later, when one of the rappers thanks both God and Colt: "Got a little wealth so I gotta thank the Lord/ Couldn't do it by myself, got some help from Colt Ford". Overall, though it slows the pace set by the first two songs a little bit, the song is very catchy and you will find yourself bobbing your head along.
Do It With My Eyes Closed - Josh Thompson ("Beer On The Table", "Way Out Here") is the guest on what I consider to actually be one of the weakest songs on the album. The song just sounds too much like "Work It Out", talking about how hard life can be, "But loving you's so easy/ I could do it with my eyes closed/ Day and Night/ Night and Day/ Sound asleep/ wide awake/ Loving you is something I know". It just does not have that hook that the rest of the songs do, and so close after "Work It Out" just does not fit with the rest of the album.
This Is Our Song - Danny Boone of Rehab ("Sittin at a Bar/The Bartender Song") joins Colt in this credo/anthem of the country lifestyle. Fans who do not enjoy the rap aspect of Ford's music are not going to enjoy this, but may find themselves relating to the statements nonetheless: "Folks 'round still believe in God/ and the right tote a gun/ and our flag don't run/ ain't askin' you for nothin'/ if we can't get it on our own/ tell the government to leave our check and church alone". Later, at the end of the chorus, they challenge those who disagree "And if you don't like/ then don't come around". It is one of the stronger songs on an amazingly strong album.
Titty's Beer - As one can guess from the title, this is easily the funniest song on the album, and Trent Tomlinson ("One Wing In The Fire", "She Just Might Have Her Radio On") joins the 300 pound rapper as he tells the story of his Uncle Titus, who wants to sell his own beer. Titus realizes that he can make money, not off of taste, but off of the name: "He called it Titty's, Titty's, Titty's Beer/ Just the thing to get you grinnin' ear to ear/ Whether you're from the country or the big ole city/ One thing's for sure, EVERYBODY LOVES TITTY'S!". I know that about the time of the second line of the chorus, I found myself laughing my head off, and while it is not a "Strong" song, the innuendos of selling it in "Jugs" and having Dolly Parton in the ads, definitely makes it among the best songs.
She Wants To Ride In Trucks - Colt Ford finally slows the album down for what he considers his favorite song of the album, and he has found the perfect guy to join him for a sentimental song for his daughter, Craig Morgan ("Bonfire", "Redneck Yacht Club", "Tough"). The song tells the story of being a father, and the struggles of raising a teenage daughter that he is so close with: "It seems like yesterday we were bringing you home/ I was so scared to hold you/ now I'm scared to let go" sings Colt, and the emotion is evident. The song continues as Colt sees himself in the boy she brings home, and while the theme is a bit overdone in the country genre, Ford and Morgan do a great job of painting the picture of a father looking out a screen door as she drives off.
Pipe The Sunshine In - Newcomer Tyler Farr and Colt Ford combine on what is actually one of the more forgettable songs on the album. "Pipe The Sunshine In" has a fun chorus, but like "Trucks" above, the idea of living in the middle of nowhere and making your own moonshine has been overdone. Unfortunately, there is not much to distinguish this song from any other like it.
Every Chance I Get - The only song on the album without a guest appearance, Colt and his band handle this one on their own. The song is a improvement of "Pipe", but still is not a standout, talking about growing up and getting out of the party life for a woman:: "And now/ I only do it every chance I get/ It ain't a habit/ I got a handle on it/ It ain't an all day everyday thing/ Unless I think I can./ I used to do it every morning noon and night/ Now I could stop it/ and I ain't lying/ I slowed down so much, you could say I quit/ Cause now I only do it every chance I get". The guitar in the song is definitely the highlight in an otherwise mediocre song.
What I Call Home - Eventually, every artist does a tribute to his fans, and Colt enlists JB and the Moonshine Band to help him with this one. Colt goes on a rap about all the places he has visited, hitting pretty much every state on the way, which gets old after a while, however, he truly does sound grateful for the opportunities that the fans have given him over the years, embracing an artist that blurs the lines of country music.
Overworked & Underpaid - The legendary Charlie Daniels joins in on the last of the string of "re-hashed" country songs that make up most of the second half of the album. This one is a tribute to all of those "Overworked and underpaid/ the one's who make this country great". Colt dedicates this song to everyone from the Soldiers, Police, and Firemen to the teachers and those who work hard to bring us the music. The real shame of this song is the lack of showcasing Charlie Daniels' fiddlin' skills. There is a brief solo about the two-minute mark, but not nearly strong to distinguish it from anything that anyone who knows how to play could do.
Skirts & Boots - Up and Coming artist Frankie Ballard ("Tell Me You Get Lonely" and "A Buncha Girls") helps bring the life back to the album, and the party. This song could easily be a popular bar song, as that is exactly what it is about, the girls who go, and the boys who go to see them. The song could easily be a sequel to "All About Ya'll" from the previous album, "Chicken and Biscuits". I see this song being a potential upcoming single for Colt, after "She Likes To Ride In Trucks" is done.
Twisted - This is a song that Colt originally recorded and put on his debut album ("Ride Through The Country"), but this time, he has convinced none other than Tim McGraw to sing the chorus on the track. When the original album came out, this song did not strike me as that great, but quickly grew to be one of my favorites and still is. The song does not sound too much different with McGraw than it did with his bandmates, but is still a solid song to end the album with, telling the story of a young adult, faced with the choice of staying in his small town after high school, or going to "chase the bright lights of the California nights" by going to play football for UCLA. He chooses the latter, but after getting laughed at for ordering sweet tea, he realizes everything that he left and heads home where he belongs.
Overall, Colt Ford has put out a solid album, whose only real flaw is that the second half sounds too indistinguishable from the themes of every other country song out there. However, Colts unique blend of styles makes the most of it and the album makes great driving music. This is Ford at his best, doing a solid mix of the country and rap and is sure to have something to please even the staunchest critics. 8/10
Next, I will review Chris Young's newest offering, "Neon"
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